Swept snow, Li Po,
by dawn’s 40-watt moon
to the road that hies to office
away from home.
Tended my brown little stove
as one would a cow –she gives heat.
Spring –marsh frog-clatter peace
breaks out.
(from I: My Friend Tree)
Sunday, April 18, 2010
Tuesday, April 6, 2010
Arthur Rimbaud- My Bohemia: A Fantasy
I ran off, fists in my ragged seams:
Even my overcoat was becoming Ideal:
I went under the sky, Muse! I was yours:
Oh! What miraculous loves I dreamed!
My only pair of pants was a big hole.
– Tom Thumb the dreamer, sowing the roads there
With rhymes. My inn the Sign of the Great Bear.
– My stars in the sky rustling to and fro.
I heard them, squatting by the wayside,
In September twilights, there I felt the dew
Drip on my forehead, like a fierce coarse wine.
Where, rhyming into the fantastic dark,
I plucked, like lyre strings, the elastics
Of my tattered shoes, a foot pressed to my heart.
Even my overcoat was becoming Ideal:
I went under the sky, Muse! I was yours:
Oh! What miraculous loves I dreamed!
My only pair of pants was a big hole.
– Tom Thumb the dreamer, sowing the roads there
With rhymes. My inn the Sign of the Great Bear.
– My stars in the sky rustling to and fro.
I heard them, squatting by the wayside,
In September twilights, there I felt the dew
Drip on my forehead, like a fierce coarse wine.
Where, rhyming into the fantastic dark,
I plucked, like lyre strings, the elastics
Of my tattered shoes, a foot pressed to my heart.
Monday, April 5, 2010
HAI ZI (Zha Haisheng) - Facing the sea, flowers in spring
From tomorrow on, be a happy man
Raise horses, chop wood, see the world.
From tomorrow on, care about food and vegetables
I will have a house, facing the sea, and flowers in spring.
From tomorrow on, write to all my family
Tell them of my happiness
This spark of joy, its message
I will let everyone know
Give every river, every mountain, a warm name
You too, stranger, I wish you the best
Wish you a brilliant future
Wish you everlasting love
Wish you happiness in this world
Me, I just want to face the sea, and have flowers in spring.
Thursday, February 25, 2010
Young Poets-- Nicanor Parra
Write as you will
In whatever style you like
Too much blood has run under the bridge
To go on believing
That only one road is right.
In poetry everything is permitted.
With only this condition of course,
You have to improve the blank page.
In whatever style you like
Too much blood has run under the bridge
To go on believing
That only one road is right.
In poetry everything is permitted.
With only this condition of course,
You have to improve the blank page.
Wednesday, February 3, 2010
Du Fu - Jiang Village (3 Poems)
1
Red evening clouds are mountainous in the west
and the sun's feet disappear under the horizon.
Sparrows noisy over the brushwood door.
I am a traveler home after a thousand miles.
My wife and children are startled to see me alive.
The surprise ends but they can't stop wiping tears.
In the chaotic world I was tossed about;
I've found my way home, alive by accident.
Neighbors crowd over our garden walls.
They are moved, sighing and even weeping.
In deep night we hold candles,
facing each other as if in dream.
2
I live my late years as if I've stolen my life.
Very few joys after I returned home.
My little son never lets go of my knees,
afraid I will go away again.
I remember I liked to chase cool shade,
so I walk under trees by the pond.
Whistling, the north wind is strong,
I finger past events and a hundred worries fry in my mind.
However, the crops are harvested,
wine spurts from the mouth of the flask
and I have enough to fill my cups
and console me in my dusk.
3
A group of chickens make chaos
and fight each other as guests arrive.
I drive them up bushes and trees,
before I hear knocking on my brushwood gate:
four or five village elders greet me
and ask about my long absence.
Each of them brings a gift in hand.
Their wines pour out, some clear, some muddy.
They apologize for their wine, so watery,
as there was no one to grow millet.
Weapons and horses can't rest yet;
the young men are gone on the expedition east.
I offer a song for my old village folks,
feeling deep gratitude.
After singing, I sigh and throw back my head
and tears meander down our faces.
Red evening clouds are mountainous in the west
and the sun's feet disappear under the horizon.
Sparrows noisy over the brushwood door.
I am a traveler home after a thousand miles.
My wife and children are startled to see me alive.
The surprise ends but they can't stop wiping tears.
In the chaotic world I was tossed about;
I've found my way home, alive by accident.
Neighbors crowd over our garden walls.
They are moved, sighing and even weeping.
In deep night we hold candles,
facing each other as if in dream.
2
I live my late years as if I've stolen my life.
Very few joys after I returned home.
My little son never lets go of my knees,
afraid I will go away again.
I remember I liked to chase cool shade,
so I walk under trees by the pond.
Whistling, the north wind is strong,
I finger past events and a hundred worries fry in my mind.
However, the crops are harvested,
wine spurts from the mouth of the flask
and I have enough to fill my cups
and console me in my dusk.
3
A group of chickens make chaos
and fight each other as guests arrive.
I drive them up bushes and trees,
before I hear knocking on my brushwood gate:
four or five village elders greet me
and ask about my long absence.
Each of them brings a gift in hand.
Their wines pour out, some clear, some muddy.
They apologize for their wine, so watery,
as there was no one to grow millet.
Weapons and horses can't rest yet;
the young men are gone on the expedition east.
I offer a song for my old village folks,
feeling deep gratitude.
After singing, I sigh and throw back my head
and tears meander down our faces.
Monday, February 1, 2010
Miguel PiƱero - A Lower Eastside Poem
Just once before I die
I want to climb up on a
tenement sky
to dream my lungs out till
I cry
then scatter my ashes thru
the Lower East Side.
So let me sing my song tonight
let me feel out of sight
and let all eyes be dry
when they scatter my ashes thru
the Lower East Side.
From Houston to 14th Street
from Second Avenue to the mighty D
here the hustlers & suckers meet
the faggots & freaks will all get
high
on the ashes that have been scattered
thru the Lower East Side.
There's no other place for me to be
there's no other place that I can see
there's no other town around that
brings you up or keeps you down
no food little heat sweeps by
fancy cars & pimps' bars & juke saloons
& greasy spoons make my spirits fly
with my ashes scattered thru the
Lower East Side . . .
A thief, a junkie I've been
committed every known sin
Jews and Gentiles . . . Bums and Men
of style . . . run away child
police shooting wild . . .
mother's futile wails . . . pushers
making sales . . . dope wheelers
& cocaine dealers . . . smoking pot
streets are hot & feed off those who bleed to death . . .
all that's true
all that's true
all that is true
but this ain't no lie
when I ask that my ashes be scattered thru
the Lower East Side.
So here I am, look at me
I stand proud as you can see
pleased to be from the Lower East
a street fighting man
a problem of this land
I am the Philosopher of the Criminal Mind
a dweller of prison time
a cancer of Rockefeller's ghettocide
this concrete tomb is my home
to belong to survive you gotta be strong
you can't be shy less without request
someone will scatter your ashes thru
the Lower East Side.
I don't wanna be buried in Puerto Rico
I don't wanna rest in long island cemetery
I wanna be near the stabbing shooting
gambling fighting & unnatural dying
& new birth crying
so please when I die . . .
don't take me far away
keep me near by
take my ashes and scatter them thru out
the Lower East Side . . .
- George
I want to climb up on a
tenement sky
to dream my lungs out till
I cry
then scatter my ashes thru
the Lower East Side.
So let me sing my song tonight
let me feel out of sight
and let all eyes be dry
when they scatter my ashes thru
the Lower East Side.
From Houston to 14th Street
from Second Avenue to the mighty D
here the hustlers & suckers meet
the faggots & freaks will all get
high
on the ashes that have been scattered
thru the Lower East Side.
There's no other place for me to be
there's no other place that I can see
there's no other town around that
brings you up or keeps you down
no food little heat sweeps by
fancy cars & pimps' bars & juke saloons
& greasy spoons make my spirits fly
with my ashes scattered thru the
Lower East Side . . .
A thief, a junkie I've been
committed every known sin
Jews and Gentiles . . . Bums and Men
of style . . . run away child
police shooting wild . . .
mother's futile wails . . . pushers
making sales . . . dope wheelers
& cocaine dealers . . . smoking pot
streets are hot & feed off those who bleed to death . . .
all that's true
all that's true
all that is true
but this ain't no lie
when I ask that my ashes be scattered thru
the Lower East Side.
So here I am, look at me
I stand proud as you can see
pleased to be from the Lower East
a street fighting man
a problem of this land
I am the Philosopher of the Criminal Mind
a dweller of prison time
a cancer of Rockefeller's ghettocide
this concrete tomb is my home
to belong to survive you gotta be strong
you can't be shy less without request
someone will scatter your ashes thru
the Lower East Side.
I don't wanna be buried in Puerto Rico
I don't wanna rest in long island cemetery
I wanna be near the stabbing shooting
gambling fighting & unnatural dying
& new birth crying
so please when I die . . .
don't take me far away
keep me near by
take my ashes and scatter them thru out
the Lower East Side . . .
- George
Labels:
Latino Poetry,
New York Poetry,
Nuyorican,
Puerto Rican Poetry
Monday, January 25, 2010
Rainer Maria Rilke - Orpheus. Eurydice. Hermes.
That was the strange mine of souls.
As secret ores of silver they passed
like veins through its darkness. Between the roots
blood welled, flowing onwards to Mankind,
and it looked as hard as Porphyry in the darkness.
Otherwise nothing was red.
There were cliffs
and straggling woods. Bridges over voids,
and that great grey blind lake,
that hung above its distant floor
like a rain-filled sky above a landscape.
And between meadows, soft and full of patience,
one path, a pale strip, appeared,
passing by like a long bleached thing.
And down this path they came.
In front the slim man in the blue mantle,
mute and impatient, gazing before him.
His steps ate up the path in huge bites
without chewing: his hands hung,
clumsy and tight, from the falling folds,
and no longer aware of the weightless lyre,
grown into his left side,
like a rose-graft on an olive branch.
And his senses were as if divided:
while his sight ran ahead like a dog,
turned back, came and went again and again,
and waited at the next turn, positioned there –
his hearing was left behind like a scent.
Sometimes it seemed to him as if it reached
as far as the going of those other two,
who ought to be following this complete ascent.
Then once more it was only the repeated sound of his climb
and the breeze in his mantle behind him.
But he told himself that they were still coming:
said it aloud and heard it die away.
They were still coming, but they were two
fearfully light in their passage. If only he might
turn once more ( if looking back
were not the ruin of all his work,
that first had to be accomplished), then he must see them,
the quiet pair, mutely following him:
the god of errands and far messages,
the travelling-hood above his shining eyes,
the slender wand held out before his body,
the beating wings at his ankle joints;
and on his left hand, as entrusted: her.
The so-beloved, that out of one lyre
more grief came than from all grieving women:
so that a world of grief arose, in which
all things were there once more: forest and valley,
and road and village, field and stream and creature:
and that around this grief-world, just as
around the other earth, a sun
and a silent star-filled heaven turned,
a grief-heaven with distorted stars –
she was so-loved.
But she went at that god’s left hand,
her steps confined by the long grave-cloths,
uncertain, gentle, and without impatience.
She was in herself, like a woman near term,
and did not think of the man, going on ahead,
or the path, climbing upwards towards life.
She was in herself. And her being-dead
filled her with abundance.
As a fruit with sweetness and darkness,
so she was full with her vast death,
that was so new, she comprehended nothing.
She was in a new virginity
and untouchable: her sex was closed
like a young flower at twilight,
and her hands had been weaned so far
from marriage that even the slight god’s
endlessly gentle touch, as he led,
hurt her like too great an intimacy.
She was no longer that blonde woman,
sometimes touched on in the poet’s songs,
no longer the wide bed’s scent and island,
and that man’s possession no longer.
She was already loosened like long hair,
given out like fallen rain,
shared out like a hundredfold supply.
She was already root.
And when suddenly
the god stopped her and, with anguish in his cry,
uttered the words: ‘He has turned round’ –
she comprehended nothing and said softly: ‘Who?’
But far off, darkly before the bright exit,
stood someone or other, whose features
were unrecognisable. Who stood and saw
how on the strip of path between meadows,
with mournful look, the god of messages
turned, silently, to follow the figure
already walking back by that same path,
her steps confined by the long grave-cloths,
uncertain, gentle, and without impatience.
-George
As secret ores of silver they passed
like veins through its darkness. Between the roots
blood welled, flowing onwards to Mankind,
and it looked as hard as Porphyry in the darkness.
Otherwise nothing was red.
There were cliffs
and straggling woods. Bridges over voids,
and that great grey blind lake,
that hung above its distant floor
like a rain-filled sky above a landscape.
And between meadows, soft and full of patience,
one path, a pale strip, appeared,
passing by like a long bleached thing.
And down this path they came.
In front the slim man in the blue mantle,
mute and impatient, gazing before him.
His steps ate up the path in huge bites
without chewing: his hands hung,
clumsy and tight, from the falling folds,
and no longer aware of the weightless lyre,
grown into his left side,
like a rose-graft on an olive branch.
And his senses were as if divided:
while his sight ran ahead like a dog,
turned back, came and went again and again,
and waited at the next turn, positioned there –
his hearing was left behind like a scent.
Sometimes it seemed to him as if it reached
as far as the going of those other two,
who ought to be following this complete ascent.
Then once more it was only the repeated sound of his climb
and the breeze in his mantle behind him.
But he told himself that they were still coming:
said it aloud and heard it die away.
They were still coming, but they were two
fearfully light in their passage. If only he might
turn once more ( if looking back
were not the ruin of all his work,
that first had to be accomplished), then he must see them,
the quiet pair, mutely following him:
the god of errands and far messages,
the travelling-hood above his shining eyes,
the slender wand held out before his body,
the beating wings at his ankle joints;
and on his left hand, as entrusted: her.
The so-beloved, that out of one lyre
more grief came than from all grieving women:
so that a world of grief arose, in which
all things were there once more: forest and valley,
and road and village, field and stream and creature:
and that around this grief-world, just as
around the other earth, a sun
and a silent star-filled heaven turned,
a grief-heaven with distorted stars –
she was so-loved.
But she went at that god’s left hand,
her steps confined by the long grave-cloths,
uncertain, gentle, and without impatience.
She was in herself, like a woman near term,
and did not think of the man, going on ahead,
or the path, climbing upwards towards life.
She was in herself. And her being-dead
filled her with abundance.
As a fruit with sweetness and darkness,
so she was full with her vast death,
that was so new, she comprehended nothing.
She was in a new virginity
and untouchable: her sex was closed
like a young flower at twilight,
and her hands had been weaned so far
from marriage that even the slight god’s
endlessly gentle touch, as he led,
hurt her like too great an intimacy.
She was no longer that blonde woman,
sometimes touched on in the poet’s songs,
no longer the wide bed’s scent and island,
and that man’s possession no longer.
She was already loosened like long hair,
given out like fallen rain,
shared out like a hundredfold supply.
She was already root.
And when suddenly
the god stopped her and, with anguish in his cry,
uttered the words: ‘He has turned round’ –
she comprehended nothing and said softly: ‘Who?’
But far off, darkly before the bright exit,
stood someone or other, whose features
were unrecognisable. Who stood and saw
how on the strip of path between meadows,
with mournful look, the god of messages
turned, silently, to follow the figure
already walking back by that same path,
her steps confined by the long grave-cloths,
uncertain, gentle, and without impatience.
-George
Labels:
German Poetry,
Rainer Maria Rilke
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